Remember back in high school or middle school when people would become boyfriends/girlfriends with one another only for the relationship to end in about a week or so. Then you judged the parties involved (because of course you yourself were never that dumb) for their idiocy and eventually learned to never take much stock in whatever romantic escapade they found themselves in next.
Well, feel free to judge me because I fell into that very sophomoric situation and she's the only thing that has been on my mind over the past week, but all is well because my head has cleared and I am publicly declaring a formal end to my relationship with her.
I found out that she's been whoring herself around the entire internet causing shakiness in relationships that were otherwise doing just fine until she came along with her voluptuous self.
“She's spinning clockwise!!! I don't see how she could be spinning any other way.
“What?! Are you out of your mind?!?! She's spinning counter-clockwise.”
“You guys are both nuts, this thing is a trick. She obviously switches directions every 10 seconds or so.
All right, now that I've Simpsonsed you with a lead-in that has nothing to do with what this episode is actually about, I do mean it when I say that the spinning dancer really has taught/reminded me of a valuable lesson on perception and how people can be so passionately and sincerely right and wrong all at the same glorious time. (or should I say “right-ish” and “wrong-ish”?)
This optical illusion was initially released a couple of weeks ago as a purported test for right-brain/left-brain tendencies. It's not. Or at least it's not that simple. I've asked a bunch of people who are conventionally left-brained and right-brained and there seems to be no worthwhile correlation. But because it was presented as such, people are willing to buy into the validity of the test and then will come up with an explanation as to why they are seeing it the way they are.
It was referenced in the NYTimes Freakanomics blog section and here is just one comment that beautifully incites what I'm getting at:
“The light in the picture is brightest at the bottom middle, just in front of the dancer. Using this and the shadow pattern, you can infer that the light source is behind the dancer. Keeping this in mind, watch the shadow pattern. If the dancer was actually in three dimensions, she would be moving counter clockwise. Maybe this is why science and engineering types see it CCW. We see the picture and imagine it as it would be if it was real. Anything else is .. illogical?”
I don't care about the specific argument he is making, but I'm fascinated that he's making it at all. Think about all the trouble he's going through to subtly affirm why his way of seeing it is better. He is fully accepting of the possibility of the other side's viewpoint, but he just happens to think that a clockwise spin is more logical, or more “true”.
We do this ALL THE TIME. We are so good at being “polite” or “respectful” but we always find ways to slip in thoughts/comments about why we are the ones who are really right.
Now, much of how I want to connect the Dancer and perception has already been mostly said by at least one person here, so instead of forcing me to plagiarize please just read that first before continuing on.
Did you read or at least skim it?
Suffice it to say - people will always overestimate how right they think they are. And it is amazing just how far they are willing to go to convince others of their side and then allow for non-essentials to get mixed in with clear thinking so as to muddle the general journey towards truth. One can only understand truth to the point that their very experience and perception allows it. Some people will see the dancer as spinning clockwise or counter-clockwise and can't see it any other way even while fully recognizing that it is possible to see it the other way. And for those people I offer this lifesaver.
When you break it down frame by frame you'll see that you can visually toggle between both directions if you force yourself to look at it from the other's point of view. If you naturally see the dancer going clockwise then the raised leg will be her right leg. So, instead choose to see her raised leg as her left leg and then follow that left leg as it goes in a counter-clockwise direction in slow-motion.
At full speed you might still only see the dancer spinning in a clockwise direction but at least you are better off having gone through the experience of the counter-clockwisers.
So here is what I propose - instead of always passionately looking for more reasons for why you are right, if you could fight just as ferociously to figure out why the other person thinks they are right I bet eventually you'll be able to look at something in enough of a “frame by frame” manner to at least begin to see why the other person thinks what they think.
And isn't that a better place to start a dialogue? Won’t that be better for a more complete truth that allows for nuance and real dialogue BETWEEN people versus people merely talking AT one another.
Now with all that said, I offer a disclaimer by way of explaining my username. Asimptote is supposed to invoke the calculus image of a curved line that is approaching another line but never quite reaching it. And that is exactly how I envision our endeavor to be at this blog. Even though we can all be subjectively “right” I do believe that we all have an obligation to grow in how “right” we are and hope to approach truth without being discouraged by the fact that we’ll never reach an actual platonic truth line.
So how do I reconcile the image of asymptotic lines and “merging lanes”? None needs to happen. I believe both images can inform and highlight what we’re doing here. Thus “both/and”, not “either/or”.
Categories:
Tags: community, obama, optical illusions, perception, spinning dancer